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	<title>Hailans to Ailans &#187; shared memory</title>
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	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>Killer Whale and Crocodile (Film)</title>
		<link>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile/</link>
		<comments>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile/#comments</comments>
		<pubDate>Sat, 24 Oct 2009 00:00:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[film]]></category>
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		<category><![CDATA[museums]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1502</guid>
		<description><![CDATA[John Marston has since the beginning of his career exhibited next to Sepik artists at Alcheringa Gallery. John&#8217;s explorations of his own rich artistic and cultural heritage paralleled a growing fascination with the tools, techniques, styles, materials, knowledge, stories, beliefs, and lifestyles of these carvers on the other side of the world. In 2006, he [...]]]></description>
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		<title>Cultural Exchange: Papua New Guinea and Canadian Northwest Coast</title>
		<link>http://hailanstoailans.com/art/painting/cultural-exchange-papua-new-guinea-and-canadian-northwest-coast/</link>
		<comments>http://hailanstoailans.com/art/painting/cultural-exchange-papua-new-guinea-and-canadian-northwest-coast/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 22:51:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[colonization]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[negotiation]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1470</guid>
		<description><![CDATA[&#160;
Teddy Balangu and John Marston carve together in Palembei&#8217;s haus tambaran (spirit house) during the first artists&#8217; exchange between the Pacific Northwest Coast and the Sepik River in 2006. (Photo: Art Holbrook)
&#160;
Hailans to Ailans provides many opportunities for cross-cultural sharing, including exchange between Papua New Guinean artists and Coast Salish artists from Canada’s Northwest Coast [...]]]></description>
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		<title>The Performance Art of Michael Mel: hearing silenced voices, sharing histories and seeking Mbu Noman (wisdom)</title>
		<link>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/</link>
		<comments>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 18:40:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/michael-mel-essay-by-pamela-rosi/</guid>
		<description><![CDATA[
Michael Mel performing Shoosh! Na Kang Temani te tokor il. Nunga koom talg na ta. (Shoosh! I am chanting a tale. Give me your ears) at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Essay by Pamela C. Rosi
Bridgewater State College
&#160;
INTRODUCTION: A CONTEXT OF ENTANGLED HISTORIES
Since the 19th century, the unique art forms of Papua [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>fOUR Salmon</title>
		<link>http://hailanstoailans.com/art/painting/four-salmon/</link>
		<comments>http://hailanstoailans.com/art/painting/four-salmon/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 15:43:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[wealth]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=570</guid>
		<description><![CDATA[&#8220;As the title suggests, this painting depicts sharing. The four salmon heads in the painting share each other&#8217;s black and dark green coloration. In many First Nations traditions, the number four represents holism and balance.&#8221;
-lessLIE
]]></description>
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		<title>Killer Whale and Crocodile II</title>
		<link>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile-ii/</link>
		<comments>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile-ii/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 15:45:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[storytelling]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=358</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview with Michael Mel</title>
		<link>http://hailanstoailans.com/art/performance/interview-with-michael-mel/</link>
		<comments>http://hailanstoailans.com/art/performance/interview-with-michael-mel/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 23:09:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=148</guid>
		<description><![CDATA[
I enjoyed many challenging discussions with Michael Mel over the course of ten days in Goroka, where he continually rearranged his comically busy schedule to help me prepare a shipment for Hailans to Ailans. Two things struck me about this extraordinary man. The first was that despite his tremendous commitments as a father, artist, university [...]]]></description>
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		<slash:comments>7</slash:comments>
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