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	<title>Hailans to Ailans &#187; relationships</title>
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	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>Interview with Cathy Kata</title>
		<link>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/</link>
		<comments>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 16:12:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
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		<category><![CDATA[song]]></category>
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		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1169</guid>
		<description><![CDATA[
Cathy Kata sings a traditional song about bilum-making during a performance at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Interview by Dan Lepsoe, 2009
&#160;
DL: In many parts of PNG, people of all ages carry handmade bags- bilums- suited to their different tastes, activities, and backgrounds. What does bilum mean to you?
CK: There’s a song [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Fashion and Bilum, from Tradition to Modernity, from Individual Creation to Collective Achievement</title>
		<link>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/</link>
		<comments>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 02:15:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[natural materials]]></category>
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		<category><![CDATA[song]]></category>
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		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/fashion-and-bilum-essay-by-nicolas-garnier/</guid>
		<description><![CDATA[
Cathy Kata showing &#8220;looping&#8221;, the traditional hand-weaving technique used to make bilums in Papua New Guinea. (Photo: Dan Lepsoe)
Essay by Nicolas Garnier
Centre de Recherche et de Documentation sur l&#8217;Oc&#233;anie
University of Papua New Guinea
Alliance Fran&#231;aise de Port Moresby

In Papua New Guinea (PNG), string bags, or bilum in Tok Pisin (a widely spoken Creole), are commonly used [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Performance Art of Michael Mel: hearing silenced voices, sharing histories and seeking Mbu Noman (wisdom)</title>
		<link>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/</link>
		<comments>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 18:40:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/michael-mel-essay-by-pamela-rosi/</guid>
		<description><![CDATA[
Michael Mel performing Shoosh! Na Kang Temani te tokor il. Nunga koom talg na ta. (Shoosh! I am chanting a tale. Give me your ears) at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Essay by Pamela C. Rosi
Bridgewater State College
&#160;
INTRODUCTION: A CONTEXT OF ENTANGLED HISTORIES
Since the 19th century, the unique art forms of Papua [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<item>
		<title>Martin Morububuna Biography</title>
		<link>http://hailanstoailans.com/art/painting/martin-morububuna/</link>
		<comments>http://hailanstoailans.com/art/painting/martin-morububuna/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 01:53:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[PNG Independence]]></category>
		<category><![CDATA[printmaking]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[urban synthesis]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=803</guid>
		<description><![CDATA[
Photo: D. Lepsoe&#160;
Martin Morububuna is one of Papua New Guinea’s most accomplished graphic artists, renowned as a painter, printmaker, and muralist. 
Martin was born in 1957 in Kwebwaga Village in the Trobriand Islands. After high school, he joined the Creative Arts Centre, then attended Papua New Guinea’s National Arts School and began participating in group [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Rosanna Raymond Biography</title>
		<link>http://hailanstoailans.com/art/performance/rosanna-raymond/</link>
		<comments>http://hailanstoailans.com/art/performance/rosanna-raymond/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 21:25:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[music]]></category>
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		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=705</guid>
		<description><![CDATA[
Rosanna Raymond was born in Auckland, New Zealand, of Samoan descent. She currently lives and works in London with her family. A Tusitala (Teller of Tales) at heart, her art practice takes a variety of forms, ranging from installation works to spoken word pieces and body adornment. She fuses traditional Pacific practices with modern innovations [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>fOUR Salmon</title>
		<link>http://hailanstoailans.com/art/painting/four-salmon/</link>
		<comments>http://hailanstoailans.com/art/painting/four-salmon/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 15:43:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[friendship]]></category>
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		<category><![CDATA[wealth]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=570</guid>
		<description><![CDATA[&#8220;As the title suggests, this painting depicts sharing. The four salmon heads in the painting share each other&#8217;s black and dark green coloration. In many First Nations traditions, the number four represents holism and balance.&#8221;
-lessLIE
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Origin of the Eagle and Crocodile Clans</title>
		<link>http://hailanstoailans.com/art/carving/origin-of-the-eagle-and-crocodile-clans/</link>
		<comments>http://hailanstoailans.com/art/carving/origin-of-the-eagle-and-crocodile-clans/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 14:18:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[humour]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[transformation]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=498</guid>
		<description><![CDATA[Story as told by Claytus Yambon in Korogo Village, May 2008:
Once upon a time, there were two good mates who lived together, worked together, and played together, enjoying each others&#8217; company all the time. Some things they did were virtuous, but others were mischievous. 
One time after hunting together, one mate asked, “How did you [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Family</title>
		<link>http://hailanstoailans.com/art/carving/the-family/</link>
		<comments>http://hailanstoailans.com/art/carving/the-family/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 14:11:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[family]]></category>
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		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[wealth]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=494</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Musicians</title>
		<link>http://hailanstoailans.com/art/metalwork/musicians/</link>
		<comments>http://hailanstoailans.com/art/metalwork/musicians/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 05:07:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[friendship]]></category>
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		<category><![CDATA[metal sculpture]]></category>
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		<category><![CDATA[song]]></category>
		<category><![CDATA[technological change]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=407</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Defending Fallen Comrade II</title>
		<link>http://hailanstoailans.com/art/metalwork/defending-fallen-comrade-ii/</link>
		<comments>http://hailanstoailans.com/art/metalwork/defending-fallen-comrade-ii/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 04:59:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[conflict]]></category>
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		<category><![CDATA[warriors]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=395</guid>
		<description><![CDATA[&#8220;In tribal fights, you are always expected to go out side by side with your comrade. If one of you falls wounded, then the one still standing must continue the fight while the fallen comrade is rescued.&#8221;
-Tom Deko
]]></description>
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