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	<title>Hailans to Ailans &#187; land</title>
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	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>Killer Whale and Crocodile (Film)</title>
		<link>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile/</link>
		<comments>http://hailanstoailans.com/art/carving/killer-whale-and-crocodile/#comments</comments>
		<pubDate>Sat, 24 Oct 2009 00:00:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[film]]></category>
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		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
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		<category><![CDATA[museums]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1502</guid>
		<description><![CDATA[John Marston has since the beginning of his career exhibited next to Sepik artists at Alcheringa Gallery. John&#8217;s explorations of his own rich artistic and cultural heritage paralleled a growing fascination with the tools, techniques, styles, materials, knowledge, stories, beliefs, and lifestyles of these carvers on the other side of the world. In 2006, he [...]]]></description>
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		<title>The Performance Art of Michael Mel: hearing silenced voices, sharing histories and seeking Mbu Noman (wisdom)</title>
		<link>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/</link>
		<comments>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 18:40:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/michael-mel-essay-by-pamela-rosi/</guid>
		<description><![CDATA[
Michael Mel performing Shoosh! Na Kang Temani te tokor il. Nunga koom talg na ta. (Shoosh! I am chanting a tale. Give me your ears) at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Essay by Pamela C. Rosi
Bridgewater State College
&#160;
INTRODUCTION: A CONTEXT OF ENTANGLED HISTORIES
Since the 19th century, the unique art forms of Papua [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Kaua Gita Biography</title>
		<link>http://hailanstoailans.com/art/carving/kaua-gita/</link>
		<comments>http://hailanstoailans.com/art/carving/kaua-gita/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 21:57:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[hunting]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[negotiation]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[transformation]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=711</guid>
		<description><![CDATA[
Photo: D. Lepsoe&#160;
Iatmul master carver Kaua Gita was born in Korogo Village on the Sepik River in 1964. He began to carve when he was fifteen, learning from his father and other carvers in the village. Korogo has a history of fine carving and strong ceremonial life. Its splendid haus tambaran (spirit house) was renowned [...]]]></description>
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		<title>Claytus Yambon Biography</title>
		<link>http://hailanstoailans.com/art/carving/claytus-yambon/</link>
		<comments>http://hailanstoailans.com/art/carving/claytus-yambon/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 20:10:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[humour]]></category>
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		<category><![CDATA[land]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[storytelling]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=670</guid>
		<description><![CDATA[
Photo: D. Lepsoe&#160;
Claytus Yambon is Village Councillor and a master carver from Korogo in Papua New Guinea’s Middle Sepik region. He is of the Iatmul tribe. Uri, his grandfather’s brother, taught him to carve. Claytus has travelled much of the Sepik River, and has an extensive knowledge of the various styles and forms of Sepik [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Origin of the Eagle and Crocodile Clans</title>
		<link>http://hailanstoailans.com/art/carving/origin-of-the-eagle-and-crocodile-clans/</link>
		<comments>http://hailanstoailans.com/art/carving/origin-of-the-eagle-and-crocodile-clans/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 14:18:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[humour]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[transformation]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=498</guid>
		<description><![CDATA[Story as told by Claytus Yambon in Korogo Village, May 2008:
Once upon a time, there were two good mates who lived together, worked together, and played together, enjoying each others&#8217; company all the time. Some things they did were virtuous, but others were mischievous. 
One time after hunting together, one mate asked, “How did you [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview with Michael Mel</title>
		<link>http://hailanstoailans.com/art/performance/interview-with-michael-mel/</link>
		<comments>http://hailanstoailans.com/art/performance/interview-with-michael-mel/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 23:09:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=148</guid>
		<description><![CDATA[
I enjoyed many challenging discussions with Michael Mel over the course of ten days in Goroka, where he continually rearranged his comically busy schedule to help me prepare a shipment for Hailans to Ailans. Two things struck me about this extraordinary man. The first was that despite his tremendous commitments as a father, artist, university [...]]]></description>
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		<slash:comments>7</slash:comments>
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