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	<title>Hailans to Ailans &#187; family</title>
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	<link>http://hailanstoailans.com</link>
	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>Bilum Collection III</title>
		<link>http://hailanstoailans.com/art/fibre/bilum-collection-iii/</link>
		<comments>http://hailanstoailans.com/art/fibre/bilum-collection-iii/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 21:24:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Weaving]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/art/fibre/bilum-collection-iii/</guid>
		<description><![CDATA[Each bilum sold separately. Please specify artist(s) when ordering.
TOP:
Kundu by Anna Zeming
mixed fibres
45 cm across
&#163;85
MIDDLE RIGHT:
Ngapna Kolm by Wendy Ortega
mixed fibres
28 cm across
&#163;57
MIDDLE LEFT:
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Bilum Collection II</title>
		<link>http://hailanstoailans.com/art/fibre/bilum-collection-ii/</link>
		<comments>http://hailanstoailans.com/art/fibre/bilum-collection-ii/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 20:17:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Weaving]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/art/fibre/bilum-collection-ii/</guid>
		<description><![CDATA[Each bilum sold separately. Please specify artist(s) when ordering.
TOP:
Mbu Walg Kubana by Cathy Kata
natural fibres, possum fur
43 cm across
&#163;170
MIDDLE:
Lgopa Walg Kubana by Anna Zeming
natural and mixed fibres
43 cm across
&#163;185
BOTTOM:
Mbu Walg Kupun by Cathy Kata
natural fibres, chicken feathers
68 cm across
&#163;313
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bilum Collection I</title>
		<link>http://hailanstoailans.com/art/fibre/bilum-collection-i/</link>
		<comments>http://hailanstoailans.com/art/fibre/bilum-collection-i/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 20:11:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1444</guid>
		<description><![CDATA[Each bilum sold separately. Please specify artist(s) when ordering.
TOP:
Mbu Walg Kubana by Cathy Kata
natural fibres, possum fur
63 cm across
$275 CAD
MIDDLE:
Mbu Walg Kupun by Anna Kupa
natural and mixed fibres
68 cm across
$250 CAD
BOTTOM:
Mbu Walg Kupun by Emma Opa
mixed fibres
70 cm across
$250 CAD
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Tom Deko</title>
		<link>http://hailanstoailans.com/art/metalwork/interview-with-tom-deko/</link>
		<comments>http://hailanstoailans.com/art/metalwork/interview-with-tom-deko/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 01:34:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[metal sculpture]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[National Art School]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/interviews/interview-with-tom-deko/</guid>
		<description><![CDATA[
Tom Deko putting the finishing touches on Musicians. (Photo: Dan Lepsoe)
Interview by Elaine Monds and Dan Lepsoe, April 2009
&#160;
EM: Where do you get the ideas for your work?
TD: When I think of art, the first thing I have on my mind is colour. Shapes come afterwards. My sculptures are meant to be lively: viewers should [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Cathy Kata</title>
		<link>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/</link>
		<comments>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 16:12:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1169</guid>
		<description><![CDATA[
Cathy Kata sings a traditional song about bilum-making during a performance at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Interview by Dan Lepsoe, 2009
&#160;
DL: In many parts of PNG, people of all ages carry handmade bags- bilums- suited to their different tastes, activities, and backgrounds. What does bilum mean to you?
CK: There’s a song [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Interview with Martin Morububuna</title>
		<link>http://hailanstoailans.com/art/painting/interview-with-martin-morububuna/</link>
		<comments>http://hailanstoailans.com/art/painting/interview-with-martin-morububuna/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 15:02:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[PNG Independence]]></category>
		<category><![CDATA[printmaking]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Wood Sculpture]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1150</guid>
		<description><![CDATA[
Martin Morububuna, a leading artist in PNG since the 1970s, inherited his talent from his grandfather. Behind him is Fever of Milamala, in progress. (Photo: Dan Lepsoe)
&#160;
Interview by Elaine Monds and Dan Lepsoe, 2009
&#160;
EM: How have you developed as an artist?
MM: When I was small, I was given sopi, the responsibility to be an important [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fashion and Bilum, from Tradition to Modernity, from Individual Creation to Collective Achievement</title>
		<link>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/</link>
		<comments>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 02:15:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/fashion-and-bilum-essay-by-nicolas-garnier/</guid>
		<description><![CDATA[
Cathy Kata showing &#8220;looping&#8221;, the traditional hand-weaving technique used to make bilums in Papua New Guinea. (Photo: Dan Lepsoe)
Essay by Nicolas Garnier
Centre de Recherche et de Documentation sur l&#8217;Oc&#233;anie
University of Papua New Guinea
Alliance Fran&#231;aise de Port Moresby

In Papua New Guinea (PNG), string bags, or bilum in Tok Pisin (a widely spoken Creole), are commonly used [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>An Artist from the Bena Valley: Tom Deko</title>
		<link>http://hailanstoailans.com/art/metalwork/tom-deko-essay-by-michael-mel/</link>
		<comments>http://hailanstoailans.com/art/metalwork/tom-deko-essay-by-michael-mel/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 16:56:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[metal sculpture]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[warriors]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/tom-deko-essay-by-michael-mel/</guid>
		<description><![CDATA[
Tom Deko in his studio at the University of Goroka. (Photo: Dan Lepsoe)
Essay by Michael A. Mel
University of Goroka

Tom Deko was born in Makia village in the Bena area of the Eastern Highlands Province in Papua New Guinea (PNG). As a youngster, Tom grew up learning the language, lore, and laws of his local community. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Martin Morububuna Biography</title>
		<link>http://hailanstoailans.com/art/painting/martin-morububuna/</link>
		<comments>http://hailanstoailans.com/art/painting/martin-morububuna/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 01:53:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[PNG Independence]]></category>
		<category><![CDATA[printmaking]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[urban synthesis]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=803</guid>
		<description><![CDATA[
Photo: D. Lepsoe&#160;
Martin Morububuna is one of Papua New Guinea’s most accomplished graphic artists, renowned as a painter, printmaker, and muralist. 
Martin was born in 1957 in Kwebwaga Village in the Trobriand Islands. After high school, he joined the Creative Arts Centre, then attended Papua New Guinea’s National Arts School and began participating in group [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Kaua Gita Biography</title>
		<link>http://hailanstoailans.com/art/carving/kaua-gita/</link>
		<comments>http://hailanstoailans.com/art/carving/kaua-gita/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 21:57:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Biographies]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[hunting]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[negotiation]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[transformation]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=711</guid>
		<description><![CDATA[
Photo: D. Lepsoe&#160;
Iatmul master carver Kaua Gita was born in Korogo Village on the Sepik River in 1964. He began to carve when he was fifteen, learning from his father and other carvers in the village. Korogo has a history of fine carving and strong ceremonial life. Its splendid haus tambaran (spirit house) was renowned [...]]]></description>
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