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	<title>Hailans to Ailans &#187; climate change</title>
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	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>The Performance Art of Michael Mel: hearing silenced voices, sharing histories and seeking Mbu Noman (wisdom)</title>
		<link>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/</link>
		<comments>http://hailanstoailans.com/art/performance/michael-mel-essay-by-pamela-rosi/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 18:40:07 +0000</pubDate>
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				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[land]]></category>
		<category><![CDATA[language preservation]]></category>
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		<category><![CDATA[oral tradition]]></category>
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		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
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		<category><![CDATA[urban synthesis]]></category>
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Michael Mel performing Shoosh! Na Kang Temani te tokor il. Nunga koom talg na ta. (Shoosh! I am chanting a tale. Give me your ears) at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Essay by Pamela C. Rosi
Bridgewater State College
&#160;
INTRODUCTION: A CONTEXT OF ENTANGLED HISTORIES
Since the 19th century, the unique art forms of Papua [...]]]></description>
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		<title>Interview with Michael Mel</title>
		<link>http://hailanstoailans.com/art/performance/interview-with-michael-mel/</link>
		<comments>http://hailanstoailans.com/art/performance/interview-with-michael-mel/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 23:09:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[ancestors]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[climate change]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[identity]]></category>
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		<category><![CDATA[language preservation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[shared memory]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Western Highlands]]></category>

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I enjoyed many challenging discussions with Michael Mel over the course of ten days in Goroka, where he continually rearranged his comically busy schedule to help me prepare a shipment for Hailans to Ailans. Two things struck me about this extraordinary man. The first was that despite his tremendous commitments as a father, artist, university [...]]]></description>
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