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	<title>Hailans to Ailans &#187; apprenticeship</title>
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	<link>http://hailanstoailans.com</link>
	<description>Contemporary Papua New Guinea Art Exhibition</description>
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		<title>Persistence and Change in Papua New Guinea Art: The Net Bag (Bilum) as Art and Ethnic Commodity in the Global Market Place</title>
		<link>http://hailanstoailans.com/art/fibre/persistence-and-change-in-papua-new-guinea-art-the-net-bag-bilum-as-art-and-ethnic-commodity-in-the-global-market-place/</link>
		<comments>http://hailanstoailans.com/art/fibre/persistence-and-change-in-papua-new-guinea-art-the-net-bag-bilum-as-art-and-ethnic-commodity-in-the-global-market-place/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 22:15:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Canada Events]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[art market]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[synthetic materials]]></category>
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		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1562</guid>
		<description><![CDATA[November 10, 5:00-6:30pm
Coach House, Green College, 6201 Cecil Green Park Road, University of British Columbia, Vancouver
Lecture by Michael Mel, Associate Professor in Cultural Education and Indigenous Processes of Art, Pro Vice Chancellor (Academic), University of Goroka, Papua New Guinea.
]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/fibre/persistence-and-change-in-papua-new-guinea-art-the-net-bag-bilum-as-art-and-ethnic-commodity-in-the-global-market-place/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Interview with Tom Deko</title>
		<link>http://hailanstoailans.com/art/metalwork/interview-with-tom-deko/</link>
		<comments>http://hailanstoailans.com/art/metalwork/interview-with-tom-deko/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 01:34:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[metal sculpture]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[National Art School]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/interviews/interview-with-tom-deko/</guid>
		<description><![CDATA[
Tom Deko putting the finishing touches on Musicians. (Photo: Dan Lepsoe)
Interview by Elaine Monds and Dan Lepsoe, April 2009
&#160;
EM: Where do you get the ideas for your work?
TD: When I think of art, the first thing I have on my mind is colour. Shapes come afterwards. My sculptures are meant to be lively: viewers should [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/metalwork/interview-with-tom-deko/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Cathy Kata</title>
		<link>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/</link>
		<comments>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 16:12:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1169</guid>
		<description><![CDATA[
Cathy Kata sings a traditional song about bilum-making during a performance at Rebecca Hossack Art Gallery, September 2009. (Photo: Dan Lepsoe)
&#160;
Interview by Dan Lepsoe, 2009
&#160;
DL: In many parts of PNG, people of all ages carry handmade bags- bilums- suited to their different tastes, activities, and backgrounds. What does bilum mean to you?
CK: There’s a song [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/fibre/interview-with-cathy-kata/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Interview with Martin Morububuna</title>
		<link>http://hailanstoailans.com/art/painting/interview-with-martin-morububuna/</link>
		<comments>http://hailanstoailans.com/art/painting/interview-with-martin-morububuna/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 15:02:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[PNG Independence]]></category>
		<category><![CDATA[printmaking]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Wood Sculpture]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/?p=1150</guid>
		<description><![CDATA[
Martin Morububuna, a leading artist in PNG since the 1970s, inherited his talent from his grandfather. Behind him is Fever of Milamala, in progress. (Photo: Dan Lepsoe)
&#160;
Interview by Elaine Monds and Dan Lepsoe, 2009
&#160;
EM: How have you developed as an artist?
MM: When I was small, I was given sopi, the responsibility to be an important [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/painting/interview-with-martin-morububuna/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Contemporary Sepik Art Deserves Your Attention</title>
		<link>http://hailanstoailans.com/art/carving/elaine-monds-contemporary-sepik-art/</link>
		<comments>http://hailanstoailans.com/art/carving/elaine-monds-contemporary-sepik-art/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 04:15:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Wood Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[art vs. artifact]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[Coast Salish]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[mass media]]></category>
		<category><![CDATA[museums]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[Sepik River]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[technological change]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/elaine-monds-contemporary-sepik-art/</guid>
		<description><![CDATA[
Jackson Timbin of Palembei Village paints a dance mask in his family&#8217;s distinctive style. The Timbin family is represented in this exhibition by Jackson&#8217;s elder brothers Michael and Otto. The finished mask is visible here. (Photo: Dan Lepsoe)
&#160;
Essay by Elaine Monds
Alcheringa Gallery
Sepik art has long captured the imagination of collectors. Sought after as much for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fashion and Bilum, from Tradition to Modernity, from Individual Creation to Collective Achievement</title>
		<link>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/</link>
		<comments>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 02:15:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[bilumwear]]></category>
		<category><![CDATA[body decoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[spirits]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/fashion-and-bilum-essay-by-nicolas-garnier/</guid>
		<description><![CDATA[
Cathy Kata showing &#8220;looping&#8221;, the traditional hand-weaving technique used to make bilums in Papua New Guinea. (Photo: Dan Lepsoe)
Essay by Nicolas Garnier
Centre de Recherche et de Documentation sur l&#8217;Oc&#233;anie
University of Papua New Guinea
Alliance Fran&#231;aise de Port Moresby

In Papua New Guinea (PNG), string bags, or bilum in Tok Pisin (a widely spoken Creole), are commonly used [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/fibre/fashion-and-bilum-essay-by-nicolas-garnier/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>An Artist from the Bena Valley: Tom Deko</title>
		<link>http://hailanstoailans.com/art/metalwork/tom-deko-essay-by-michael-mel/</link>
		<comments>http://hailanstoailans.com/art/metalwork/tom-deko-essay-by-michael-mel/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 16:56:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[bilum]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[metal sculpture]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[schooling]]></category>
		<category><![CDATA[technological change]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[warriors]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/artists/essays/tom-deko-essay-by-michael-mel/</guid>
		<description><![CDATA[
Tom Deko in his studio at the University of Goroka. (Photo: Dan Lepsoe)
Essay by Michael A. Mel
University of Goroka

Tom Deko was born in Makia village in the Bena area of the Eastern Highlands Province in Papua New Guinea (PNG). As a youngster, Tom grew up learning the language, lore, and laws of his local community. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Premieres: The Shield is My Brother + The Man Who Cannot Die</title>
		<link>http://hailanstoailans.com/events/events-usa/mark-eby-papua-new-guinea-film-premieres/</link>
		<comments>http://hailanstoailans.com/events/events-usa/mark-eby-papua-new-guinea-film-premieres/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 05:53:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[US Events]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[warriors]]></category>

		<guid isPermaLink="false">http://hailanstoailans.com/events/events-usa/mark-eby-film-premieres/</guid>
		<description><![CDATA[
Friday, October 30, 7:45 p.m.
Koret Auditorium
de Young Museum, San Francisco
The de Young is proud to host the world premiere of two documentary shorts filmed in PNG and commissioned by the Jolika Collection of New Guinea Art: The Shield Is My Brother and The Man Who Cannot Die. The first film tells the story of young [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/events/events-usa/mark-eby-papua-new-guinea-film-premieres/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chasing a Dream: the Art of Martin Morububuna</title>
		<link>http://hailanstoailans.com/art/painting/chasing-a-dream-the-art-of-martin-morububuna/</link>
		<comments>http://hailanstoailans.com/art/painting/chasing-a-dream-the-art-of-martin-morububuna/#comments</comments>
		<pubDate>Sat, 12 Sep 2009 05:15:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[biocultural sustainability]]></category>
		<category><![CDATA[challenging stereotypes]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[National Art School]]></category>
		<category><![CDATA[PNG Independence]]></category>
		<category><![CDATA[printmaking]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[Trobriand Islands]]></category>
		<category><![CDATA[urban synthesis]]></category>
		<category><![CDATA[Wood Sculpture]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=412</guid>
		<description><![CDATA[
The artist in his home and studio in Port Moresby. (Photo: Dan Lepsoe)
Essay by Carol E. Mayer
UBC Museum of Anthropology

Martin Morububuna was born in 1957 in the village of Kwebwaga on the island of Kiriwina, the largest of the Trobriand Islands, in Milne Bay Province, Papua New Guinea. Today he is recognized as an important [...]]]></description>
		<wfw:commentRss>http://hailanstoailans.com/art/painting/chasing-a-dream-the-art-of-martin-morububuna/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Initiation</title>
		<link>http://hailanstoailans.com/art/metalwork/initiation/</link>
		<comments>http://hailanstoailans.com/art/metalwork/initiation/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 21:46:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Metal Sculpture]]></category>
		<category><![CDATA[apprenticeship]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[death and commemoration]]></category>
		<category><![CDATA[Eastern Highlands]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[initiation]]></category>
		<category><![CDATA[living objects]]></category>
		<category><![CDATA[metal sculpture]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[oral tradition]]></category>
		<category><![CDATA[reclaimed materials]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[synthetic materials]]></category>
		<category><![CDATA[teaching]]></category>

		<guid isPermaLink="false">http://www.alcheringa-gallery.com/h2a_2009/?p=30</guid>
		<description><![CDATA[&#8220;This piece depicts one of the processes that take place prior to the initiation practiced by my people, the Bena Bena, and other neighbouring tribes.
&#8220;When boys reach their teens, they’re gathered and kept in the haus man (men’s house). Inside, these young men are taught everything they must know for survival in the future. While [...]]]></description>
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		<slash:comments>0</slash:comments>
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